The walls of the Honoka’a People’s Theater just might come alive March 9, inspired by the musical vibrations of “guitar alchemist” Scott Huckabay. Huckabay is no ordinary musician. In a recent taping of “State of Profusion,” performed live at a venue in Washington, the artist could be seen whirling around in a colorful outfit on-stage with his eyes closed, clearly taken by the music. Noisemaking instruments were strapped to his ankles, and he danced around creating his own rhythm as interesting and unusual sounding guitar loops wove into a mass of intertwining melodies.

Huckabay’s unusual story dates back to an accident that changed his life forever. Huckabay was not previously musically inclined, but recalls enjoying listening to music at an early age. He’d been lonely as a youngster, and later fell in with a motorcycle gang.

“A couple of years before the motorcycle accident in 1987, I was hooked on a lot of bad drugs and drinking hard liquor. I did not have any friends when I was younger. A motorcycle group brought me into their tribe and accepted me for who I was but unfortunately I was influenced by what they happened to be doing…those were some crazy times in my life,” recalled Huckabay.

As his motorcycle sped at full speed toward an oncoming truck, Huckabay recalls making a “pact with god.”

“I experienced this epiphany in my mind that I was going to die or something terrible was about to happen to me so I let go of the handle bars while surrendering to god [or our] creator knowing I was not alone. It was so surreal,” said Huckabay.

“I remember floating through some kind of vacuum tunnel of different shades of colors, almost like flying through different colored clouds in a tunnel at warp speed. All of a sudden, I came to a halt and there was this opening that looked like some kind of a doorway just for a moment…then I rapidly went in reverse mode through that vacuum tunnel,” said Huckabay.

In the next moment, he awoke in a hospital bed in intense pain, but with a “new perspective of a life path.” A guitar sat at the foot of his bed, something Huckabay says to this day he cannot explain.

“Every time I picked up the guitar, all the pain would dissolve. From then on, I never put the guitar down. Since then, I have no need to take up that lifestyle of doing drugs or drinking alcohol ever again. The accident was a blessing in disguise,” said Huckabay.

Three years later, he moved to Hawaii, where he lived in a tent on the beach for a year and befriended a pod of spinner dolphins which he swam with every day.

“I gained their trust and was accepted into their pod,” said Huckabay. “They were teaching me all about sounds and I was learning to go deeper into my thought patterns and forms. When it was time to leave the pod, I knew I had a mission to explore and experiment deeper in what the guitar was capable of creating.”

Incredibly, Huckabay’s arm and leg which were said to “never work again” had begun to heal.

In 2006, Huckabay encountered another musical concept that lead to the creation of his unique style.

“I met Dr. Len Horowitz who taught me [on] a technical level [about] the frequencies I was tapping into through music which [are] based off the Solfeggio scale. According to Horowitz’s research from his latest book, “The Book of 528,” it is an ancient scale from the renaissance era that produces instant healing and miracles for humanity,” said Huckabay.

“There are seven tones or frequencies measured in hertz form that represents each of the body’s energy system. I resonate particularly with 528hz which is connected to the heart center energy. Eventually, I will explore the other six frequencies. My mission is to help bring these tones out to the world in a non-evasive positive way,” said Huckabay.

Huckabay has performed all over the world, playing with big names Chicago, Steve Morse, Joe Satriani, Crosby, Stills and Nash, Bonnie Raitt, Albert Lee, Buffy Saint-Marie, Shadowfax, Jackson Browne, John Trudell, Toni Childs, Sarah McLachlan, Pierre Bensusan, Ram Das, Hapa, Bob Weir, and Randy Hanson. But he is particularly thrilled to be back in Hawaii.

“Hawaii always lives in my heart wherever I travel in the world, it is my home. The Hawaiian people are truly amazing and inspiring. The ‘aina and aloha is strong here. I am very honored and excited to perform for the people here in Hawaii,” Huckabay said.

Equally excited is Honoka’a People’s Theater manager Phaethon Keeney.

“I love life-affirming good vibes and positive creativity and this guy has it. I guess you could say in a nutshell he has an eclectic and innovative style in creating joyful multi-textured musical landscapes. People dig his music, he’s fun and energetic and…I’m excited to see where the music takes him on stage and share in that wild ride too,” Keeney said.

Huckabay maintains a positive outlook on life and practices yoga and deep breathing daily, as well as eating a balanced raw and vegan diet. This kind of preparation is necessary to deliver performances that are not only physically demanding but spiritually resonant for his audiences as well.

“I feel my purpose that God/Creator gave me is a rare opportunity to turn around my life and to help assist others in their awakening or inspirations through the frequencies of music. My intention behind the music is only with pure love, Huckabay said.”

Scott Huckabay performs Saturday, March 9 at the Honoka’a People’s Theater. Tickets are $15 at the door. For more information about the concert visit http://honokaapeople.com, or visit www.scotthuckabay.com for more information about the performer.

Ameriie Heralds DNA Repair from 528 “Medicinal Music”

On July 14, 2011, Billboard magazine heralded recording artist Ameriie’s album, “Cymatica Vol. 1” recorded exclusively in 528Hz. It was the first major coverage in the entertainment industry honored the pure tone of LOVE–528Hz–the “Universal Healer.”

Ameriie, a multiple Grammy Award nominee and winner of the 2006 ASCAP Rhythm & Soul Music Award for “Top Soundtrack Song of the Year” from her album, “1 Thing,” got the message about 528, and is not afraid to proclaim its value.

Billboard’s emboldened sub-heading asked: We’ve heard you’re recording this album in “DNA repairing frequencies,” is this true?

Affirmingly, Ameriie replied, “To record in 528Hz you have to have specific equipment. . . .  Everything we have right now is dissonant. The way everything’s tuned, everything is on a frequency that is not in tune with nature. . . . Everything we listen to right now is actually dissonant.”

Ameriie’s claim that A=440Hz frequency “standard tuning” is “dissonant” to nature, love, and DNA repair, is perplexing to most people.

VH1 writers were perturbed by Bilboard’s mention of 528. “We don’t know what that means,” they complained, apparently too lazy to do a Google Search that would have relieved their ignorance, or contacted Dr. Horowitz for more information.

Amerii’s critics could have learned that 528Hz is the dominant frequency of nature. It is the reason grass is greenish-yellow, and chlorophyll outputs oxygen vibrating with 528/LOVE–the heart of the rainbow.

According to physicists and mathematicians, 528 frequency of light, measured in nanometers, and sound, measured in Hertz, is central to a musical-mathematical matrix that determines everything in the universe, from language and architecture to body physiology.  And yes, the basic structure of DNA depends on 528Hz.

528 is the epitome of natural harmony, based on the determinations of Dr. Leonard Horowitz and a team of experts. Fourteen years ago, Horowitz et. al,  began researching what he now calls, the “LOVE Hertz Frequency of 528.” His revelations are now exploding in popularity and prompting the “528LOVERevolution.”

“What I would like to do is record in just 528Hz frequency,” Ameriie told Billboard, “but you have to get that equipment. You have to get producers to tune in . . . .”

Ameriie and Horowitz Tells Producers to “Become Enlightened”

Ameriie instructed, “You have to overhaul all the equipment. All the sounds that a guy has in his producer’s box, all his drum kits, everything, needs to be retuned. . . .” She reported her producers had done this to record Cymatica Vol. 1, in 528.

Most of Horowitz’s thousands of students are now experimenting with 528, and many are posting popular tracks on YouTube, as Ameriie informed Billboard.

“528 is atonement,” Horowitz says, referencing the Bible and biophysics. He is convinced, and easily convinces others using hard facts. 528 produces “medicinal music.”

Jazz violinist Tony Selvage, who has played with many famous rock-n-roll bands, including six-time Grammy Award winner, Keoki Kahumoku, has performed all his solo concerts in 528 since 2009. Playing in 528 creates what Toney calls, “Cosmic Classic Jazz.”

Howard Prince, a multiple Grammy Award winning musician testified, “Horowitz’s passion has been unyielding. He takes us everywhere the ancient Solfeggio’s “MIracle” [528Hz] vibration occurs. . . . His research compels consideration of our ability to reach the Creator musically, bringing God’s Light and Love down to earth; whether it’s in the form of “manna” to eat, becoming the “living water,” the miracles of Moses, or now in concert halls through symphony orchestras.  Can you imagine the ability to manifest healing through the musical medicine of LOVE?”

Amazing Harpest, Steve Rees, Performs New Album in Exclusively 528

Outstanding harpist, Steve Rees, performs his new album in 528 after experimenting.

“This is some of the most beautiful spiritual music you will ever hear, by Steve Rees, an absolute master of the harp,” said Dr. Horowitz after listening to Psalms of Aliyah, Rees’s most recent album.

Rees recorded in 528hz after much study and experimenting. He too realizes this frequency is great for accommodating deep relaxation, therapeutic healing, prayer, and/or meditation.

Steve Rees was encouraged by Dr. Leonard Horowitz to produce a recording using the 528 “Mi” frequency as the basis for the new compositions.

The chord progressions came out of the Psalms of David using Hebrew letters to apply the frequency relationships established out of Psalm 119.

Rees believes that these frequencies may have been a way that the Creator was and is trying to help us live in health, restoration and prosperity.

These frequencies could very possibly be the “Key of David” that Isaiah 22:22 and Revelation 3:7 talk about.

These “Keys” are a blessing that can change your life!

528 Musician Fans